Grand Duc #4, 2017 - n°2/30 (orotone)

Albumine & Collodion

€290
Positive image on glass plate on bronze background which gives a very particular tone to the image. White laid out passe-partout in cont ...
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  • Material : Glass, photographic emulsion, bronzes pigments
    This description has been automatically translated and may not be completely accurate.
  • Color : Icy brown tones to bronze. Black and white photography on golden background (change of shade depending on lighting)
    This description has been automatically translated and may not be completely accurate.
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Grand Duc #4, 2017 - n°2/30 (orotone)

Albumine & Collodion

€290

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Positive image on glass plate on bronze background which gives a very particular tone to the image. Cross-glued white bonded passe-partout respecting the international standard ISO 9706 (conservation papers with a very high degree of stability and recommended for archival documents and publications with long life). Ready to frame (frame H40cm x L30cm).

This description has been automatically translated and may not be completely accurate.

  • Type personnalisé : PAMPA leather banana belt bag
  • Type : Pièce numérotée
  • Certificat d’authenticité : Yes
  • Convient en extérieur : Yes
  • Installation : À suspendre
  • Dimensions : Image H21,5cm x 16cm / mat H40cm x 30cm

Piece delivered with: a certificate of authenticity

Orotone is an inseparable process of the work of Edward S. Curtis (1868-1952), known for his colossal work on American Indians. Period of exploitation: late 19th - 1940.

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In the digital era, I want to (re) discover some printing processes from the beginning of the history of photography. Offering a wide choice of tones (cyan blue, Prussian blue, brown, sepia, purple, purple, gray, gold ...), on glass, paper or metal, these techniques are a treasure to share. The ones I cover were used between 1839 and 1940. My photographs are numbered, signed and accompanied by a certificate of authenticity (prints limited to 30 copies, all processes and all formats). The photographic prints are handmade in my workshop "Albumine & Collodion" in Brittany. By the processes themselves, each image is unique.

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The photographs are sent by La Poste in Colissimo, option Ad Valorem compensation (compensation in the event of loss or damage adapted to the value of the shipment, delivered against signature) with Notification of receipt option.

Craftsman

A l’heure du numérique, Julie Boudet souhaite faire (re)découvrir quelques procédés de tirage des débuts de l’histoire de la photographie. Offrant un large choix de tonalités (bleu cyan, bleu de Prusse, brun, sépia, pourpre, violet, gris, doré…), sur verre, sur papier ou sur métal, ces techniques sont un trésor à partager. Celles qu'elle aborde ont été utilisées entre 1839 et 1940. Puriste dans la préparation des chimies, du couchage des émulsions, du choix des papiers et de la préparation de mes plaques, Julie s’autorise le métissage des époques pour la prise de vue. Les tirages photographiques sont réalisés de manière artisanale dans son atelier en Bretagne. De par les procédés eux-mêmes, chaque image est unique. Ses photographies sont numérotées, signées et accompagnées d'un certificat d'authenticité (tirages limités à 30 ou 40 exemplaires, tous procédés et tous formats confondus).