Soma [O3PNTe14].1 - Small sculpture en grès modelé émaillé

Célia Trottier - Artiste céramiste

This description has been automatically translated and may not be completely accurate.
€130
Soma [O3PNTe14] .1– Small tripod sculpture in black chamotte sandstone, green bronze enamel - Unique piece
  • Material : Stoneware and enamel
  • Color : bronze and black
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Soma [O3PNTe14].1 - Small sculpture en grès modelé émaillé

Célia Trottier - Artiste céramiste

€130

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This description has been automatically translated and may not be completely accurate.

Soma [O3PNTe14] .1– Small tripod sculpture in black chamotte sandstone, green bronze enamel - Unique piece

  • Type : Unique piece
  • Certificate of authenticity : Yes
  • Dimensions : H 13 x W 11
  • Suitable for outside use : No

Piece delivered with: a certificate of authenticity

Decorative sculpture to pose, art, fetish, small companion

The SOMAs were born from an unexpected journey. From an idea that the gesture and the material take elsewhere. A first form emerges, strange, on four feet, a little alive. This form begins a search for movement, unstable balance, textures, living, without figuration. Spherical or oval, tripod or quadrupedal bodies, sometimes perched on long legs. Bodies, SOMA. Animal, vegetable, fungus, mineral, celestial. Undetermined bodies.

The material lives throughout the creation process: drying, firing, enamelling. This development marks the piece with unique characteristics. Packaging in a double cardboard box which makes the package substantial but will allow it to be transported in complete safety.

Craftsman
Célia Trottier - Artiste céramiste

This description has been automatically translated and may not be completely accurate.

La pratique et l’accident sont au cœur de mon processus de création. Les images qui m’habitent, transposées dans l’argile, se transforment au grès du modelage, de l’expérimentation, des contraintes de la terre et de la cuisson haute température. Parfois, le modelage au pincé ou au colombin m’entraine vers de nouveaux contours. Le martellement, le poussé ou l’empreinte créent une altération, une texture. L’émail selon l’épaisseur, la couleur du support ou la position dans le four, engendre des surfaces improbables. La cuisson provoque des distorsions, des chutes, des surprises miraculeuses. La pratique de la matière dit autre chose que les figures dont mon imaginaire se nourrit. La pratique génère ses propres formes. Qui elles même produisent des imaginaires multiples.