Sculpture « SM, Scandale M… » n°4 - Scandale Fleurs et Épines

MIREILLE MINGARELLI

This description has been automatically translated and may not be completely accurate.
€550
"SM, Scandale M ..." n ° 4 - Scandal Flowers and Thorns - Mireille Mingarelli - Enamelled earthenware - unique piece.
  • Material : Ceramic: Earthenware
  • Color : Metallic black and red
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Sculpture « SM, Scandale M… » n°4 - Scandale Fleurs et Épines

MIREILLE MINGARELLI

€550

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This description has been automatically translated and may not be completely accurate.

"SM, Scandale M ..." n ° 4 - Scandal Flowers and Thorns - Mireille Mingarelli - Enamelled earthenware - unique piece.

  • Type : Unique piece
  • Certificate of authenticity : Yes
  • Suitable for outside use : No
  • Installation : To lay
  • Dimensions : H 15,5cm x L 19cm x l 11cm

Piece delivered with: a certificate of authenticity

Ceramic sculpture.

Ceramist training I work sandstone, earthenware and porcelain, I mainly make unique pieces. Since 2015, my creations are moving towards sculpture and the diversion of objects. My work is more and more focused on the questioning, the humor mixed with provocation and derision that one finds in the "Scandales M ...": stilettos, such as cases filled with nails, barbed wire or thorns ...

Livraison offerte en main propre à Paris sur rendez-vous.

Craftsman

Mireille MINGARELLI works in Paris. Inspired by his many travels in Asia and meditation, his work is between sculpture and ceramics. She favors unique pieces, both for purely artistic creations such as faces of Buddhas, corsets or stilettos for objects such as bowl or cup. Earthenware, sandstone or porcelain allow him to explore different techniques and to open new ways for him. His work is moving more and more towards the "hijacked object", with the desire to go beyond the limits and constraints of the usual techniques of ceramics. Her latest series titled "SM, Scandale M ..." and "Scandale Corsé" are defined as a provocative and poetic tale in which woman is the central character and omnipresent seduction; Beyond the omnipotence of appearances, the body, strapped, has none the less its limits constraining it to its conscious or unconscious confinement.