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Illuminated on satin watercolor paper. The paper is coated with the traditional preparations suitable for gilding with the leaf to the detem ...
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  • Material : Illumination on golden paper with leaves, pigments, leaves and flowers
    This description has been automatically translated and may not be completely accurate.
  • Color : Blue and gold (real gold leaf)
    This description has been automatically translated and may not be completely accurate.
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Illumination Herbier d'été

Atelier Marie-Pierre Fournier

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Illuminated on satin watercolor paper. The paper is coated with traditional preparations suitable for gilding with tempera leaf. The gilding is made of gold leaf 975 ‰ enhanced with fine punching. The work is painted with a mixture of glue / pigments. Plants are reported by gluing. The work is presented in a protective framework.

This description has been automatically translated and may not be completely accurate.

  • Type personnalisé : Table enamelled lava
  • Type : Pièce unique
  • Certificat d’authenticité : Yes
  • Convient en extérieur : Yes
  • Installation : A fixer
  • Dimensions : Framed work: L42,5cm X H32,5cm

Piece delivered with: a certificate of authenticity

Satin watercolor paper "Arches" heavy weight. Gold leaf 975 ‰ on primers. Fragile work, indoor use only. Wall hook on the back of the frame.

This description has been automatically translated and may not be completely accurate.

Illuminated on watercolor satin paper "Arches" heavy weight. The paper is coated with traditional preparations suitable for gilding with tempera leaf. Coatings to give thickness to the surface. The gilding is made with 975 feuille gold leaf and then "burnished" with agate stone, enhanced with punching. The work is painted with a mixture of traditional glue / pigments.Plants are reported by gluing on the surface leaves of Cotinus, Ginko biloba, flower petals.

This description has been automatically translated and may not be completely accurate.

Shipped in France.

Craftsman
Atelier Marie-Pierre Fournier

J'ai appris le métier de doreur dans les années 1980 et exerce depuis ce métier de doreuse ornemaniste et restauratrice d’objet d’art. En 2007 j'ai été lauréate du concours "Un des Meilleurs Ouvrier de France" pour la dorure sur bois. J'ai été très souvent émerveillée de la qualité et de la virtuosité du travail des "anciens" aussi, parallèlement à mon activité professionnelle de restauration-conservation d'objets dorés et polychromes, j'ai toujours mené un travail de création qui a été beaucoup nourri par l'exercice de mon métier et, si son influence m'a souvent conduite à l'exploration technique et à la promenade dans d'autres matières, j'aime particulièrement utiliser les techniques somptueuses de la dorure à la feuille sur bois: gravure et reparure des enduits, ors de couleur, vernis colorés, poinçonnages, couleurs à la colle ……