Escalier Montmartre, Paris, 2018 - n°2/30

Albumine & Collodion

This description has been automatically translated and may not be completely accurate.
€135
Cyanotype (photography on paper, process used from 1842 to 1880). Sold under a mat (unframed).
  • Material : Cyanotype on watercolor paper
  • Color : Cyan blue with Prussian blue
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Escalier Montmartre, Paris, 2018 - n°2/30

Albumine & Collodion

€135

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This description has been automatically translated and may not be completely accurate.

Cyanotype (photography on paper, process used from 1842 to 1880). Sold under a mat (unframed).

  • Type personnalisé : Soup bowl
  • Type : Pièce numérotée
  • Certificat d’authenticité : Yes
  • Convient en extérieur : Yes
  • Installation : À suspendre
  • Dimensions : Picture H24cm x L16cm / passe-partout H40cm x W30cm

Piece delivered with: a certificate of authenticity

Watercolor paper 100% cotton, neutral pH. The off-white mat is laminated to the international standard ISO 9706 (conservation papers with a high degree of stability and recommended for archival documents and long-life publications). The image is proposed under a mat. For supervision, I recommend the use of an anti-reflective glass.

In the digital era, I want to (re) discover some printing processes from the beginning of the history of photography. Offering a wide choice of tones (cyan blue, Prussian blue, brown, sepia, purple, purple, gray, gold ...), on glass, paper or metal, these techniques are a treasure to share. The ones I cover were used between 1839 and 1940. My photographs are numbered, signed and accompanied by a certificate of authenticity (prints limited to 30 copies, all processes and all formats). The photographic prints are handmade in my workshop "Albumine & Collodion" in Brittany. By the processes themselves, each image is unique.

The photographs are sent by La Poste in colissimo, option Compensation Ad Valorem (compensation in case of loss or damage adapted to the value of the shipment, delivered against signature) with option Notice of receipt.

Craftsman

In the digital age, Julie Boudet wishes to (re) discover some printing processes from the beginning of the history of photography. Offering a wide choice of tones (cyan blue, Prussian blue, brown, sepia, purple, purple, gray, gold ...), on glass, paper or metal, these techniques are a treasure to share. Those she approaches were used between 1839 and 1940. Purist in the preparation of the chemistries, the coating of the emulsions, the choice of the papers and the preparation of my plates, Julie authorizes the mixing of the eras for the shooting . The photographic prints are handmade in his workshop in Brittany. By the processes themselves, each image is unique. His photographs are numbered, signed and accompanied by a certificate of authenticity (prints limited to 30 or 40 copies, all processes and all formats).