This description has been automatically translated and may not be completely accurate.
€150
The lucky angel is made of terracotta leaf. Very light, it can hang in front of a window or against a wall, by a simple f ...
  • Material : ANGEL terracotta to hang
  • Color : Matt white
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The dispatch time is 20 day(s)
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ANGE to hang

ABEL

€150

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This piece exists in different versions
This description has been automatically translated and may not be completely accurate.

The lucky angel is made of terracotta leaf. Very light, it can hang in front of a window or against a wall, by a simple nylon rope. You can easily adapt a ribbon of your choice to hang it.

  • Type personnalisé : ANGLE hanging from window with wire (supplied) or ribbon.
  • Type : Pièce unique
  • Certificat d’authenticité : Yes
  • Dimensions : H 15 cm XL 13 cm XP 7 cm
  • Convient en extérieur : Yes

Piece delivered with: a certificate of authenticity

Terracotta worked in plate and engraved with motifs. The lucky angel hangs on his thread. Each piece is created in the same way but the cutouts, imprints and finish vary on each model.

Work of the earth in plate, then assembly by links which can vary (brass, aluminum, leather etc ...) The decorative work on the wings by the footprints or different finishes create a small unique sculpture, ideal for a gift loaded with emotion.

Comes with suspension link long enough for adaptation on site according to the hanging. Comes in his box.

Craftsman

Abel's sculptures reflect the aesthetics of emotions. Its source of inspiration is in perpetual movement: the body of the woman and the man are illustrated in what they have most touching: a supplement of soul which shows in their least "facts and gestures". The world is a theater ... like a spectator, ultra-sensitive to what emerges from the Other, Abel models these impalpable emotions until they materialize into a single object, charged with energy and sensuality. The flying forms are made of earth (sometimes rough sometimes stylized), or freely approached thanks to a material based on resins, developed by the artist. The brutality of the earth imprinted with the gestures of the hand, or the sophistication of a long polished aluminum piece, encourages physical contact with the room, which is essential for Abel. These two approaches are not paradoxical, they only satisfy the instinctive need to touch to better share it.